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Jon Ippolito – You’re right, the traditional focus of museums on exclusivity as a marker for value make them a tricky dance partner for new media artists, many of whom are looking to maximize exposure and participation.
And what role they play to write the history of media art, as well as the formation of a market value for these artistic practices?
These experiments would certainly be of more value to historians than to terrorists.
Perhaps a better criterion for appropriateness is whether the art was intended to persevere or meant to be ephemeral.
It’s easy to find things we preserve that are a lot less relevant, either in historical or economic value.
Individual users archive tens of thousands of useless e-mails a year.